Perhaps not all the good ones are taken. Yet, as audiences immersed in Vietnamese-American director Derek Nguyen’s lush, disquieting and deeply affecting debut feature THE HOUSEMAID quickly learn, some of the most alluring and tempting surely are.
Rue Morgue's Communications Manager, Jamie Berardi, reviews John Callas' indie feature-film, "No Solicitors".
THE VISITORS, follows three teenagers who decide to kill some time and visit an abandoned factory that’s supposedly infested with aliens.
Universal’s mastery of the macabre was waning to a ridiculous degree in the mid-to-late 1940s. The sentiment seemed that the age of vampires, wolf men and phantoms was slipping away and being discarded to a bygone era. In 1948, Universal drastically shifted gears toward a more comedic approach when it came to create their once dark horror films.
Chris Kemble and J.P. Davidson offer one of the latest contributions of contemporary folk horror with their indie Irish film BRACKENMORE.